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A New Action/Drama
Web Series

by Angelo Bell

Coming July 2009
Click to View Trailer
*GET MY DVD NOW*

AN AMAZING
FILMMAKER BOOK

*FILM FINANCE*

Make history. Shoot your next webisode on the FlipVideo HD

An Audio Filmmaker Commentary On Par with Robert Rodriguez' "Rebel Without A Crew"

Resurrection Memberships Available for “Serious Rogers”

Finding new ways to do things and raise money means being creative, but also giving people a good value gift for their donation. That’s why I’ve not set up three different memberships to help raise money for my web series, “Resurrection of Serious Rogers.”

With the membership donations users get anything from FREE copies of my previous short films, DVD’s of my feature films, walk-on roles, posters (while supplies last), tickets to the web series wrap party and/or a DVD of the full season’s episodes.

Check the Web Series link on this page at http://www.angelobell.com/web-series/ for details about the different memberships. or just click the Paypal button below and join now!

Resurrection Memberships

Pressing On Towards The Mark

Adjusting Goals

Adjusting Goals

The goal for most, if not all, filmmakers is distribution. Distribution means many different things to different people but to most, if not all, it means getting your film seen. To many others, it means getting your film seen and being paid for your efforts in making the film.

It’s an uphill battle that requires constant adjustment and tweaking of processes. For me I’ve had to think on the fly, adjust my goals, shoot higher, shoot further, shoot internationally.

Lately I’ve been focusing on international film festivals because so many don’t require film submission fees. The caveat is that if your budget is low (or non existent) you might find yourself in a tough place trying get a professionally made script for subtitles. Or you can no-budget it and do it yourself, like I am doing.

The other half of my plan now involves focusing on 2010. This gives me a six months to get into U.S. film festivals before January when the process starts all over again. That means getting my film into as many hands as possible, sending it to festival directors even if the festival has closed for the season. The thing about The Broken Hearts Club is that I believe damn near everyone can identify with the stories. Love and rejection aren’t abstract things. For many of us the feelings surrounding these emotions are very concrete. With this I believe once the right person sees the film, the sky’s the limit.

You’ve got to think big and think small simultaneously. I’m shooting for the New York Film Festival. It’s a very competitive festival but acceptance guarantees qualification for the Independent Spirit Awards. A Spirit Award nomination has been my goal for many many years. Finally I have a film that I believe is worthy.

I’m also pushing my way through various inquiries by producer reps and distribution folk. This week I’ve sent copies to three reps, one of which found me on Mandy.com and apparently enjoyed the short film version of the film.  I’m also selecting folks at agencies and production companies like HBO and Focus Features. Again, it is my belief that once seen, the automatic rejection mode most studio execs and agents find themselves in will be quelled. I’ve been saying, “Give my film 20 minutes. If you’re not hooked by then, by all means, toss it.”

So the DVDs have been going out on the regular. It’s kinda tough when funds are low. Luckily I’ve found blank DVD’s here and there within my stash.  My preliminary goal is 50 DVDs. I think I’m at 20. Time to take a trip to Walmart for another spindle.

On another note, I’ve heard some information that has made me rethink my process for my web series. Simply put, I must shoot the entire thing again, from scratch, with new actors and new contracts. The goal of this web series is to be able to monetize it from the get-go. That’s kinda hard to do with SAG looking over my shoulder.  So I’m doing the entire thing over; I’m rewriting the script and recasting all the actors. Naturally this means that a July launch ain’t gonna happen. In the end, I’m thinking the film will be better.

Legends

In the past week three legends have passed away. On this very day Michael Jackson, the King of Pop, died of cardiac arrest. I first heard the news on Twitter and then my wife Kathy confirmed it with a text message. Michael Jackson, Farrah Fawcett and Ed McMahon. Three legends who will never be forgotten.

What appalled me today is the insensitivity with which people respond to such news. Folks took to their soapboxes, grandstanding on social media platforms like Twitter and Facebook, denigrating and defiling the memories of these legends with horrible tasteless jokes. I’ve never felt so far removed from my own species in my life. It was deplorable.

Mix the tasteless jokes with the idiots who proclaim, “I don’t know what all the fuss is about…” and you’ve got a recipe for stupidity and meanness. You don’t have to like the man, or the woman. But don’t belittle their effect on life as we know it simply because you don’t understand the outpouring of affection and mourning. Some of the brightest people become the dumbest when it comes to tolerating others. It’s a shame.

But enough of that. I will forever remember Farrah Fawcett. She was my first pinup girl crush. I watched every episode of Charlie’s Angels and I was sad when she left the show. She was once married to the strongest man on earth, The Six Million Dollar Man, Steve Majors, who was also my favorite. I grew up on them.

“Hiiiiiiiiiyoooooooo” That’s what Ed McMahon used to say on The Tonight Show with Johnny Carson. This dynamic duo was my first ever late night talk show. I loved Johnny and Ed, and I remember thinking (even as a kid) why don’t they give Ed some more stuff to say? But who could argue with the formula? It worked flawlessly. Few talk show duos today have the dynamic presence of those two. They are the benchmark others are judged by. And aptly so

I grew up listening to the music of the Jackson Five, led by Michael Jackson. Then later the “Off the Wall” became a staple of my teenage years in high school. Then, joined by Quincy Jones, Michael Jackson made history with “Thriller.” To my knowledge that album (there were no CD’s at the time) became the greatest selling album of all time — and still is.

I remember doing a dance called the Michael Jackson on the street corners of South Jamaica, Queens in New York and pulling girls as they walked by. I’d do a move and they’d scream, “Oooohh,” because I was that good.  I would make up dance moves and then dish them out to my friends to use — with my permission. I once entered a Michael Jackson dance contest and smoked this fool who underestimated me. The same way people do battle with pop-locking and krumping today, that’s how we did battle back in the day: doing the Michael Jackson dance. And I was king.

Later Michael did that very dance on a show, 25 Years of Motown, or something like that. I remembered how everyone talked about it for weeks  afterwards. I get chills just thinking about it.

MJ  is a legend who changed the face and sound of music. He inspired millions around the world.

I partially came out of my shy shell during that time. And it was all thanks to Michael Jackson. His later albums were impressive to me as well. And Michael’s theme from the movie, Free Willy, aptly called, “Will You Be There” is still one of my favorite songs of all time.

This is how I will remember Michael Jackson. This is what I will teach my kids about him. I will teach them that just because you grow up and become an adult doesn’t mean you must give up the kid inside of you.

To the families I offer my deepest condolences and prayers. To the departed I simply say, the spirit with which you lived will go on forever. Rest in peace.

Unbreakable

Unbreakable

Unbreakable

UNBREAKABLE

I am unbreakable.

I can’t be beaten.

I can’t be beaten because I am tireless.

I never stop.

I jab with my words and I uppercut with my creativity.

I’m resourceful. Flexible. You may attempt t pursue but it will leave you empty.

I cannot be beaten.

F*ck you, this isn’t some mere mantra or meme

I’m unbreakable.

So gather your resources…

Inventory your weapons…

Make your plans…

You can study me but you can’t out-maneuver me.

You can gang up on me but you can’t bring me down.

You can talk

Whistle in the dark

Plot

It doesn’t matter.

I am unbreakable. Tireless.

And my will is my weapon.

And your deception

Is done.

I am unbreakable.

The Day Sucked, And Now It Doesn’t

Today kinda sucked. I was awakened to bad news, which set my mood off into a grumpy destination. I felt like a timebomb ready to explode. Like the Guns of Navarrone, Superfly TNT — then the lovely Nicole Sessions stopped by to pay me a visit and pick up a copy of the film, “The Broken Hearts Club” for her reel. Her smile always warms me. The my wife called me from work and her voice soothed me. Then my daughter smiled at me and I nearly wept.

Then I got an email about a ground floor opportunity at a new African-American and Latino-themed network TV station launch; I pounded out six DVD to ship to HBO, Showtime Networks, Focus Features and a new producer’s rep…and then, I got contacted by yet another distribution entity.

The day doesn’t suck so much any more :-)

Watch “Broken Hearts Club” Online- FREE

The Broken Hearts Club is near and dear to me. I’ve been living it since 2006 when I competed the short film version. Now that the feature length film is complete (it recently screened at the Hollywood Black Film Festival) I am happy to present to you the short film.

The film is here for you to watch in its entirety for free.  You may watch it online or download a QuickTime file to watch later. Either way, I am honored that you’d spend 22 minutes with me. Feel free to share the file with friends and family (keeping in mind that due to language it’s not suitable for children under 13 and it’s protected by Creative Commons license). So watch. Download. Share. 

Video thumbnail. Click to play
Click Image or this link to view

Just keep swimming

Sharks Everywhere
Sharks Everywhere

When you find yourself in a pool of sharks, you just gotta keep swimming. That’s the nature of the beast in this industry. Scammers,  exploiters, industries that have been built on bilking aspiring writers, actors, filmmakers etc out of thousands of dollars.

I was contacted by the NY International Film and Video Festival today (www.nyfilmvideo.com).  I’d submitted an online form to them for the upcoming Los Angeles portion of their NY-LA festival. Dood called me today  and told me he could get me into the festival in NY. Great. But it would cost me $400. Not great.

I politely declined.

There are too many good film festivals out there that are not “pay to play.” I hate to use the word scam loosely but when Frank decided to convince me that the price was because it’s an “event, and part of the industry” I felt like I needed a shower.

No, Frank. That’s not how the industry works. If you’d taken the time to Google me you;d know I wasn’t new at this. At least come up with a better argument.

In a normal festival world you pay a submission fee for consideration and if accepted the festival handles the “cost” of  screening the film. The $400 fee reminds me of those select media outlets that charge public relations agencies to write and article about them. Fact is, dood hadn’t even seen my film. The first part of the process only involves submitting a form, logline and synopsis.

Moving right along. And You should too.

The Broken Hearts Club has a new home

The Broken Hearts Club website has a new home. I’ve redesigned the main website and gave the film a fitting home.

Redesigning the site with a blog component means I channel all the information about film festivals, news, reviews, etc to that site and  separate my upcoming film work. Comments and discussions are appreciated so please visit the site, poke around and let me know what you like.

The new website for "The Broken Hearts Club"

The new website for "The Broken Hearts Club"

www.brokenheartsclubfilm.com

Testing Boundaries

I’ve been testing boundaries, and that’s my new thing in this DIY self distribution process.

A few days ago I had a conference call with folks at Ostrow & Company. They’d asked for a copy of The Broken Hearts Club, reviewed it and, according to them, loved it. The folks told me they saw plenty of opportunities for the film for cable and overseas. I was overjoyed. Then they told me it was $12K to hire them for their services.

At what point did I forget to mention that I was a struggling artist-y independent filmmaker?

So on to the next thing.

I shipped the film to Italy after a very trying battle with DVD Studio Pro to make a PAL version DVD.  I also picked several film festivals and festival directors and shipped a copy of the film to them. My associates have suggested I get the film in front of  as many people as possible and thus, I am.

BHC may be going t San Francisco soon. We’ll see. I’m still waiting to hear from the Helsinki Film Festival as well, and the acclaimed Martha’s Vineyard Film Festival and the Martha’s Vineyard African American Film Festival.

Oh, and there’s the London International Film Festival, to which I applied with an earlier cut of the film and then reapplied with the Hollywood Black Film Festival cut.

Lastly, after meeting some friends from Colorado, there is potential opportunity to screen the film in front of a gregarious college crowd — who’ll certainly appreciate some of the language I use in the film :)

Reduced price for “Pulp Fusion”

"PULP FUSION: RAW Shorts Collection" DVD cover

"PULP FUSION: RAW Shorts Collection" DVD cover

I just reduced the price of my short film collection DVD PULP FUSION: (five shorts) - Save $2.50. Order it through CreateSpace and save!

https://www.createspace.com/263219

*Note: the price reduction has not taken effect on Amazon yet, so make sure you order from CreateSpace!