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How To Get Your Indie Film on iTunes

December 6th, 2009 by Angelo



So…how do you get your film on iTunes? What’s the secret password or magic number?

That question has come up a lot lately on Twitter among indie filmmakers enduring the plight of self distributions. I decided to do some quick research on the matter and figure out for myself how one might go about getting their film on iTunes.

I know the filmmakers of Ink did it, but then again their film has a huge  following and has been around for a few years. I wondered if the little known indie filmmaker has the same access to iTunes that a more well known film has.

My initial search turned up this 2008 article:

http://cinematech.blogspot.com/2008/08/how-to-get-your-indie-film-on-itunes.html

New Video seems to be getting a lot of full-length features onto iTunes. Here’s their contact info. And here’s a old story from Video Business about their relationship with iTunes.

Shorts International in the UK has distributed a few dozen short films through iTunes. Here’s the page that explains how to submit your film.

The Independent Film Channel (IFC) has a handful of features on iTunes. Contact info is on their site.

IndieFlix. Now offers an iTunes option for a select few of its films. Best thing: there is no fee. iTunes won’t make money and IndieFlix won’t make money until you make money.

So is this the best that Apple can offer indie filmmakers? Apparently so. The article, in a nutshell says, “It’s hard.” But it also says, it’s possible. Here’s the simple deal — you need to submit your film through a company that has an existing deal with iTunes. A content aggregator. A company that amasses content and approaches iTunes with a bulkload of material.


Don’t let this deter you. I know it seems a bit ominous. The thought of a content aggregator working with films from well-known indie studios (The Weinstein Co, Focus Features, etc) even noticing your film seems remote. But it isn’t the case. Aggregators are looking for well-crafted story-driven or genre content. And they will respond.

How do I know this?

I contacted an aggregator by email and asked could I send my film, “The Broken Hearts Club.” The person responded to me within 24 hours, and after we cleared up some minor confusion (he thought I had a short film, not a feature) he send, “send it over.”

Content aggregators deal with short films or feature films. Rarely does a single aggregator deal in both forms of films.

So what do you do? For one, prepare your film in various formats. Most aggregators accept DVD copies of your film for review. But in some cases you’ll need a copy on tape for the best format for final delivery. It can be expensive. Some aggregators charge a fee of up to $1200. And HD footage often requires additional setup when exporting to tape. One quote I received for my film was somewhere in the range of $1500. Luckily some companies will accept your film in digital format via an external hard drive. You can purchase a USB drive at Target or Wal-mart for $75 (250GB). That amount of space will suit your HD film just fine.

The first step is to make sure your film is ready. This includes all documentation, contracts, licensing (music, cue sheets, etc). Don’t contact these folks if your film is still in post. It’s a waste of everyone’s time.

In some cases using CreateSpace and Amazon.com may be the best thing for you if money and resources are scarce. The caveat here is that you must work to drive traffic to your site (or to Amazon) to make the sale. iTunes already has an eager audience.

But consider this no/ow-cost option:

  • Setup an account of CreateSpace/Amazon
  • Choose the DVD-on-demand,Video-on-demand and rental options
  • Sign up as an Amazon.com Associate.
  • Setup a free blog on Blogger, Wordpress, Typepad, HubPages, etc.
  • Contact a content aggregator and offer to send a DVD.
  • Blog like crazy, then cut and paste your posts (about your film) to each of these free blogs.
  • Offer something interesting or different to people who want info about your film. For instance, offer a free download of a production still slideshow with director commentary, or a free download of one of your short films.
  • Capture the names and email addresses of everyone who visits your site.
  • On your blog, sell your film! Pitch it, sell it. Use your Amazon Associate account to link to your film. If someone purchases your film via your Amazon Associates link you get paid from Amazon.com twice. Once as producer of the film and once as an affiliate.
  • Spend some time responding to the blogs of other filmmakers and/or film review sites.
  • Once you’ve established yourself on these sites, offer to send a free DVD of your film “just in case they are interested.” Those who like your film will respond. Then ask them for a review, blurb or quote. One of my mentors, Tony Comstock, told me he regularly incorporates the giveaway of 50 DVD in his distribution budget — then he forgets about them. He doesn’t hound the recipients, he just shows them his work.
  • Use Google Alerts to scan the Internet for mentions about you or your film. This way you won’t miss any publicity mentions.

When you’re all done and the process is as close to autopilot as possible, go make your next film.


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5 Responses to “How To Get Your Indie Film on iTunes”

  1. Angelo says:

    Hi Garen,

    I don’t think that iTunes is the single-best choice for distribution of an independent film. In fact I think using iTunes for distribution is merely a fraction of the hybrid approach independent filmmakers must take in regards to distribution. I agree, most users go to iTunes knowing exactly what they want. How does an indie make the best use of this? In my opinion, the best way is to get the film out there in other ways — like CreateSpace/Amazon and Netflix — first. iTunes will should be a way to cover the rest of the market.

  2. Just wanted to share my experience as I also attempted to get the film I exec produced on iTunes. Its a legit 35mm film with a great cast, etc (rejected by hollywood – am now self distributing)… I was not trying to sell it as something it wasn’t. They asked the genre, I said independent and there was a pause. They then told me that customers do not go to itunes to browse and purchase films. They know what they are looking for and since our film did not have a “story” it was not appropriate for them. I was on the phone with them while I was on the itunes independent film section on my computer looking at a page where I did not recognize 50% of the films…

    I was then passed on to their affiliate for future contact. This was in April of 2008. The film is just now getting out there via myspace and word of net.

    G

  3. Angelo says:

    Thanks Adam,

    Your information about Distribber is greatly appreciated. My search for information on how indies can gain access to iTunes was quick and certainly not complete. The primary issue I faced was the lack of relevant and timely information that came up in Google search results. I simply started with, “how do I get my film on iTunes”

    However, when I checked Distribber’s source code there was nothing in the keywords that reflected the question above. So I agree, it may be time to refine Distribber’s SEO :-)

    meta name=”keywords” content=”documentary, documentaries, documentary film distribution, documentary film, documentary films, non-fiction film, non-fiction films, independent film distribution, independent film marketing, indie film distribution, indie film marketing, film distribution, film marketing, movie marketing, movie distribution, film promotion, independent film distributors, self-distribution, diy distribution, guerilla marketing, distribution consultant, film marketing consultan, distribution consultants, film marketing consultants, independent filmmaker, adam chapnick, cinema libre, docworkers, wal-mart movie, in debt we trust, outfoxed, robert greenwald distribution

  4. Adam says:

    Angelo, I’m sad that in your research you missed us — the very best option for indie filmmakers to get on iTunes! http://www.distribber.com . We charge a flat fee upfront, and deliver 100% of your revenue to you, unlike all other aggregators, who take from 15-50% of your rev, after iTunes takes their 30.

    It’s also free for filmmakers to submit and find out if iTunes will accept their film – just use the “submit now” form on the Distribber homepage.

    We charge $79 per YEAR for quarterly reports, and again, you get ALL your money.

    (Looks like I’d better improve our site’s SEO.)

    Any questions, let me know!

    Adam Chapnick
    CEO
    Distribber.com

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