1001 Positively True Stories of An Indie Filmmaker

Angelo Bell's Painfully Exhilarating Adventures in Independent Filmmaking

Posts Tagged ‘angelo bell’

Staying Busy

Sunday, March 7th, 2010

I’m staying busy. Very busy. There’s a lot going on in my personal life and professional life, and staying even more busy is the way I focus. I know…it sounds  weird.

First up: I’m looking for two African American actresses to help me shoot a spec trailer for a project  called, “Legend of Black Lotus.” It’s a BIG project: and epic martial arts fantasy. The biggest I’ve ever attempted. See the details here: http://www.AngeloBell.com/black-lotus/

I’ve decided to diversity and delegate. I’m now looking for guest directors for my upcoming web series, “Broken Hearts Club: On the Couch.” Interested parties in the LA area should hit me up. Since I’m doing On the Couch I’ve decided to push back Shadowkeeper for a while.

Speaking of “Broken Hearts Club” — I’m streaming the first episode of the series on the official website. Watch the 22-minute episode here: http://www.brokenheartsclubfilm.com/watch-first-episode/

Resurrection of Serious Rogers” is going strong in post. Watch a 15-minute sneak peek here. Leave a comment and you might get an even bigger sneak peak… Watch the sneak peek here: http://www.angelobell.com/sneak-peek/

So subscribe to my blog if you haven’t already. I’ll keep you up to date with all the glorious madness ;-)

ShadowKeeper Web Series (June 2010)

Tuesday, December 22nd, 2009

ShadowKeeper is a sci-fi- horror thriller film in the vein of The Thing and 28 Days Later.  ShadowKeeper is an old school sci-fi horror web series, like the kind of movie John Carpenter used to make.

The apocalypse is here, and it’s not  in the form of man-made viruses, meteors, floods or even aliens. It’s our shadows, and unfortunately only one man can stop them — but he’s afraid of the dark.

Nyctophobia is a limiting and disabling disease characterized by a frenzied fear of the darkness. It is triggered by the mind’s disfigured perception of what would or could happen when in a dark environment.

COMING JUNE 2010

Visit the Shadowkeeper Page

Better MAKE Time

Sunday, December 13th, 2009

This is a good blog…I think :-)

I went to a filmmaker mixer in Burbank tonight. Burbank is about 40 miles from my house. It was raining. There was traffic. A 30-minute drive (over the speed limit) took just over an hour.

traffic

Me and “mixers” don’t mix. Most mixers are poorly organized and fall short of everything promise during the promotion:  i.e. mixing and networking. What you tend to have are people crowded in a room and groups of people who already know each other mixing with each together. The atmosphere of these events rarely — if ever– are conducive to actually meeting someone new, sharing interests and perhaps doing business. What these mixers need is a facilitator — someone who does more than print name tags and job descriptions. We need someone to force, coerce, bribe, beg, inspire people to actually mingle beyond their comfort zone. We need a game, a common task that brings people together, one that convinces folks to walk across the room and introduce yourself to the guy/gal you’ve been staring at for 15 minutes because you hear they were an executive producer with money connections.

In all fairness I think some effort was made to put the mix back in mixer during the event I attended. However, within 10 minutes of arriving and standing in the midst of a crowed VIP room I thought, Here we go again…a mixer with no mixing.

Again, in all fairness, I may not be the easiest person to approach. I where my feelings on my face. I’m a big guy.  Black. Bald. Some people are intimidated. Some could care less how big or black I am. With this in mind I try to make eye contact with folks and then…smile.

Then a Costume Designer came in and introduced herself to me and the gentleman standing next to me. She said she was really a fashion designer but chose the closest name tag. She engaged me and the gentleman next to me, which got us gentleman talking, and then gentleman and I ended up chatting for an hour.

He was an executive producer. With a webseries. And…making money right now. He adheres to the no budget concept of filmmaking for each episode. And…he is making money right now. Meeting him couldn’t have come at a better time for me, particularly because I am on the cusp of my first web series Resurrection of Serious Rogers. The things he spoke of were all the things I want to employ for RSR, from the production process to distribution.

Unfortunately, for various reasons it’s hard to find people who possess that just-wanna-work and make films perspective. There’s so much talk about big budget films that many actors don’t feel truly validated until they’ve worked on a big budget film. In fact some actors would rather work as $300-a-day nondescript extra on a studio film than as a deferred-pay leading man or woman. I know we all have bills to pay — trust me, I have a mortgage, a wife, four kids and two car notes so I know – but would good is added a few dollar signs to your bank account when you soul is fizzing away doing shit work?

journey-web-series

Anywho. I digress. Meeting the creator of Journey – the webseries was enlightening. We sat in the back and talked nonstop for an hour. As far as I was concerned the evening was a complete success. We exchanged info, links, FB info and promised to chat the next day. He asked me if I’d be interested in directing an episode of  Journey. Um…hell yeah!

On my way out the door I met another gentleman named Kazan and a young lady from Kenya. We chatted briefly and I exchanged information. I liked Kazan. He seemed like a very grounded gentleman with a wife, a kid on the way and a pleasant demeanor. And I can always use another actor.

I’m glad I made time to go to this mixer event. I actually have my wife to thank. I was going to sit at home and watch season five of LOST. But speaking of scifi, I just might be directing part of a sci-fi series.

A Long Time Coming

Friday, December 11th, 2009

Today I had a meeting with my Director of Photography and producer, James Rhodimer — director of Gameface and creator of the Apocalyptic Playground web series. Jim and I met on the infamous Myspace  and have known each other for more than four years. We met today to discuss the look of Resurrection of Serious Rogers and how we are going to pull it off. There’s one main reason why I chose Jim for this project — he doesn’t think like a film school geek. He thinks like a filmmaker who needs to get things done.

This is not the first time Jim and I have worked together. Jim was my Art Director on Broken Hearts Club. I chose him for that project because he has a keen eye for beauty and detail — and from an artistic perspective. I don’t have that. When a person must do something that they can’t do themselves, what should he do? Hire someone better than himself to do it.

A few years back Jim and I both had films in Dances With Films Film Festival. Jim’s feature film, Gameface, was there as was the short film I produced, El Ride, by writer/director Veronica Rodriguez. At the festival closing night party at The Standard in Hollywood, Jim and I sat by the pool and vowed that we would work together on a project someday.  Today, was the beginning of someday.

It’s always cool when someone is excited about your project. It’s even awesome-r when s/he is so excited that he takes ownership of many of the responsibilities required to get the damn thing done. I haven’t met many people like Jim. And that’s to say I haven’t met a lot of people like myself. Simply put — we get shit done. We don’t whine, we don’t complain (well maybe we do, but it doesn’t stop us) and we never say I can’t. Now Jim and I can converse like two film geeks about the many things that we are willing do to make sure Resurrection of Serious Rogers is not just a good film, but a great experience.

I write words to be performed while the story is told. Jim creates stunning visuals to dazzle as the story is being told. Is there a better combination of talents? And we firmly believe that we can do it regardless of budget. And the truth is, we have — many times — in the past.

So we talked about lighting, and marketing, and our awesome actors. We talked about how not to get in each other’s way — Jim is every bit a director, but we know there can only be one director on set, LOL. And I firmly acquiesce to Jim’s superior talent with the camera.

And we’re both just low-key, easy going guys who like make films. Case in point:  The rain started as we talked and smoked cigars. Jim remembered that we need an exterior shot of a location in the rain. So what did he do? He left to go get the shot. This is LA, who knows when it will rain again?

So I’m excited that we’re working together to make this project. How are we going to do it? I have no idea. Then again, I’ve never started a project knowing exactly how I’m going to finish it. If I wait until all my ducks were perfectly in a row I’d probably never start anything. I only know that we will finish…and it will be awesome.

Testing Boundaries

Thursday, June 18th, 2009

I’ve been testing boundaries, and that’s my new thing in this DIY self distribution process.

A few days ago I had a conference call with folks at Ostrow & Company. They’d asked for a copy of The Broken Hearts Club, reviewed it and, according to them, loved it. The folks told me they saw plenty of opportunities for the film for cable and overseas. I was overjoyed. Then they told me it was $12K to hire them for their services.

At what point did I forget to mention that I was a struggling artist-y independent filmmaker?

So on to the next thing.

I shipped the film to Italy after a very trying battle with DVD Studio Pro to make a PAL version DVD.  I also picked several film festivals and festival directors and shipped a copy of the film to them. My associates have suggested I get the film in front of  as many people as possible and thus, I am.

BHC may be going t San Francisco soon. We’ll see. I’m still waiting to hear from the Helsinki Film Festival as well, and the acclaimed Martha’s Vineyard Film Festival and the Martha’s Vineyard African American Film Festival.

Oh, and there’s the London International Film Festival, to which I applied with an earlier cut of the film and then reapplied with the Hollywood Black Film Festival cut.

Lastly, after meeting some friends from Colorado, there is potential opportunity to screen the film in front of a gregarious college crowd — who’ll certainly appreciate some of the language I use in the film :)

Picasa Album for “The Broken Hearts Club” at HBFF

Monday, June 8th, 2009

Angelo

You are invited to view Hollywoodcity’s photo album: Hollywood Black Film Festival 2009
Hollywood Black Film Festival 2009
Beverly Hills - 
Jun 8, 2009
by Hollywoodcity
Pictures taken during the 10th Anniversary of the Hollywood Black Film Festival, where my film, “The Broken Hearts Club” had its World Premiere”
If you are having problems viewing this, copy and paste the following into your browser:
http://picasaweb.google.com/lh/sredir?uname=angelo.bell&target=ALBUM&id=5345039691185637825&authkey=Gv1sRgCKaApd_E97rl2gE&feat=email
To share your photos or receive notification when your friends share photos, get your own free Picasa Web Albums account.

Cooking up ‘Latin Heat’ With The Broken Hearts Club

Wednesday, June 3rd, 2009

Future starlet, Kikey Castillo was featured in Latin Heat Online and they were kind enough to mention my film, The Broken Hearts Club,” which Kikey stars in. The film marks Kikey’s first feature film debut in a starring role.

Kikey Castillo

Kikey Castillo

 

Kikey Castillo has been patiently laying down the groundwork for a career take-off. In addition to a long list of theatrical presentations and commercials, in just a few short years Kikey has amassed a variety of exceptionally strong performances in close to a dozen short films. This Friday June 5th she will make her leading role debut in Angelo Bell’s The Broken Hearts Club which will have its world premiere at the Laemmle Music Hall in Beverly Hills during the Hollywood Black Film Festival.

Read more here

The Fear is Gone

Tuesday, June 2nd, 2009

anxietyThis week I’ve been a frickin’ wreck. The screening for my film is in three days and I’ve been frantic trying to make sure  the theater is filled to the brim with people. Having people watch your film on the big screen is what every filmmaker wants until they realize: oh my god. people will be watching my film on the big screen!

I’ve spent a good deal of time sending emails, tweets on Twitter, Facebook invites, Myspace messages and global messages to my email address book asking people to 1) vote 2) buy tickets 3) tell a friend and 4) have their friend buy a ticket. I’ve been lucky enough to have a few folks on Twitter retweet my solicitation messages. One in particular, @loopmovie got the trailer listed on CurrenTV and @TonyComstock has been instrumental in offering advice in preparation for DIY self distribution should the need arise.  Tank Jones, leading actor in  The Broken Hearts Club did outstanding work in getting his peeps to the Bside website to vote on the trailer.  Kikey Castillo, who plays Regina in the film, has been a dynamo of PR, connecting me with two prominent public relations consultants.

But this week has been insane. I’ve done nothing but worry. I’ve worried about selling out the theater. I’ve worried if people will like the movie. I’ve worried that something disastrous would happen to the digibeta tape. I’ve worried that no press will attend. Worry, worry worry. I became obsessed with avoiding failure at all costs.

 

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Then I watched a film by Reid Gershbein called The Dabbler (see previous post) and I realized that it’s about the joy of the journey not the success of reaching a destination. I’ve already attained the success I wanted to obtain. There is no failure at this point. The truth is, I’ve done as much as I know how to do and as well as I know how to do to make this screening a success. Now I’m done working. It’s time to sit back and enjoy the ride. I’m just a happy little panda now.

I Was Running My Mouth and Ended Up Being Quoted by FILMMAKER Magazine :)

Monday, May 18th, 2009

I responded to a post about the challenges facing indie filmmakers. It was about  the powershift in the industry as studios back-off from indie film releases and indie filmmakers empower themselves to distribute their films. The post painted a bleak picture. I didn’t quite see it that way. Alas,  I ended up being quoted by Filmmaker Magazine. Here is the story:

 

http://www.filmmakermagazine.com/blog/2009/05/diy-and-importance-of-list-building.php

Today’s Stuff…

Tuesday, May 5th, 2009

Today

Today I received notice of my film’s screening time at the HBFF. I couldn’t be happier with the day and time slot :-)

Today I updated my film’s official website

Today I donated $10 to a UK film producer raising funds for his film Mission X 

Today I saw (for the first time) footage from a Flip HD camera

Today I received an email from a producer’s rep with an interest to possibly representing my film

Today my dog Buster got a hair cut, nails trimmed and bath at Petco Grooming Salon

Today my friend Mary C. informed me that she’s coming down from SF to attend my film screening.

Today I updated my Myspace page

Today Tony Comstock sent me a congratulatory message instead of a smart-ass remark, LOL

Today I added 35 new followers on Twitter

Today I wasn’t distracted by what people aren’t doing. I focused on the people who are doing.

Today I reaffirmed my goal to dream big, not small

Today someone asked me about a contract when they haven’t delivered the footage that makes the contract viable. I’m killing the project.

Today I forgot to do the laundry :(

Today the folks at Current.com did a HUGE favor for me in promoting my film. Thanks @LoopMovie!!

Today someone helped me create a new event in Facebook when I didn’t know how

Today I made spaghetti with a thick meat sauce.

Today I paid $241 for my cell phone bill.

Today I plan to watch Notorious before returning the DVD to Blockbuster

Today I didn’t get a chance to have Margaritas for Cinco de Mayo

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