1001 Positively True Stories of An Indie Filmmaker

Angelo Bell's Painfully Exhilarating Adventures in Independent Filmmaking

Posts Tagged ‘distribution’

Filmmaking Horizons

Tuesday, February 16th, 2010

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Sling

It’s been quite a while since I’ve blogged. I’ve been busy with my neo-noir action thriller series “Resurrection of Serious Rogers,” fighting the telephone company (Verizon Sucks), and working out  a funding deal for a potential TV distro opportunity for the series. Oh, and I’ve been nursing a fractured wrist.

I’ve managed to maintain some momentum although lack of Internet access has left me feeling temporarily crippled — moreso than the broken wrist. The free time (limited access to social media) had given me time to think. I realized I’ve missed a few opportunities that I should hasve taken advantage of sooner. But all is not lost.

I’ve switched from Verizon and DirecTV to a bundled trifecta service from Charter: internet, phone and television. It should be installed tomorrow.  Once it’s done my film “Broken Hearts Club” will be available as a digital download directly from this website and on the film’s official website, http://www.brokenheartsclubfilm.com

I have a few upcoming blog posts on the emotional roller coaster ride that is filmmaking. In this short time of being back in the game (see Don’t Call It A Comeback) I’ve experienced so much. When all is said and done, people either got your back or they don’t. They either see some value in what you bring to the table, or they don’t. If they don’t, move on.  If they do, cherish and respect their support.

Making Resurrection of Serious Rogers has reaffirmed my belief that LA is full  of great talent. This town is full of amazing actors, composers and potential crew who are eager to work with you. Similarly the town is full of folks who don’t want to work with you as much as they want to work for you — and get a paycheck. My suggestion is to weed them out, take your time and find an eager team. It’s worth it, even if you must find a team on project-by-project basis.

Last Minute Deliverable Scramble for “Broken Hearts Club”

Sunday, December 20th, 2009

I must deal with a last minute scramble to deliver The Broken Hearts Club to a European network because they waited until the last minute to ask for the episodes. Ugh. How much will this scramble cost me? Oh about $250, Plus $50 in software, plus overnight International shipping charges. When people as me about the budget for BHC I now say, “It’s still adding up.” :-)

How To Get Your Indie Film on iTunes

Sunday, December 6th, 2009



So…how do you get your film on iTunes? What’s the secret password or magic number?

That question has come up a lot lately on Twitter among indie filmmakers enduring the plight of self distributions. I decided to do some quick research on the matter and figure out for myself how one might go about getting their film on iTunes.

I know the filmmakers of Ink did it, but then again their film has a huge  following and has been around for a few years. I wondered if the little known indie filmmaker has the same access to iTunes that a more well known film has.

My initial search turned up this 2008 article:

http://cinematech.blogspot.com/2008/08/how-to-get-your-indie-film-on-itunes.html

New Video seems to be getting a lot of full-length features onto iTunes. Here’s their contact info. And here’s a old story from Video Business about their relationship with iTunes.

Shorts International in the UK has distributed a few dozen short films through iTunes. Here’s the page that explains how to submit your film.

The Independent Film Channel (IFC) has a handful of features on iTunes. Contact info is on their site.

IndieFlix. Now offers an iTunes option for a select few of its films. Best thing: there is no fee. iTunes won’t make money and IndieFlix won’t make money until you make money.

So is this the best that Apple can offer indie filmmakers? Apparently so. The article, in a nutshell says, “It’s hard.” But it also says, it’s possible. Here’s the simple deal — you need to submit your film through a company that has an existing deal with iTunes. A content aggregator. A company that amasses content and approaches iTunes with a bulkload of material.


Don’t let this deter you. I know it seems a bit ominous. The thought of a content aggregator working with films from well-known indie studios (The Weinstein Co, Focus Features, etc) even noticing your film seems remote. But it isn’t the case. Aggregators are looking for well-crafted story-driven or genre content. And they will respond.

How do I know this?

I contacted an aggregator by email and asked could I send my film, “The Broken Hearts Club.” The person responded to me within 24 hours, and after we cleared up some minor confusion (he thought I had a short film, not a feature) he send, “send it over.”

Content aggregators deal with short films or feature films. Rarely does a single aggregator deal in both forms of films.

So what do you do? For one, prepare your film in various formats. Most aggregators accept DVD copies of your film for review. But in some cases you’ll need a copy on tape for the best format for final delivery. It can be expensive. Some aggregators charge a fee of up to $1200. And HD footage often requires additional setup when exporting to tape. One quote I received for my film was somewhere in the range of $1500. Luckily some companies will accept your film in digital format via an external hard drive. You can purchase a USB drive at Target or Wal-mart for $75 (250GB). That amount of space will suit your HD film just fine.

The first step is to make sure your film is ready. This includes all documentation, contracts, licensing (music, cue sheets, etc). Don’t contact these folks if your film is still in post. It’s a waste of everyone’s time.

In some cases using CreateSpace and Amazon.com may be the best thing for you if money and resources are scarce. The caveat here is that you must work to drive traffic to your site (or to Amazon) to make the sale. iTunes already has an eager audience.

But consider this no/ow-cost option:

  • Setup an account of CreateSpace/Amazon
  • Choose the DVD-on-demand,Video-on-demand and rental options
  • Sign up as an Amazon.com Associate.
  • Setup a free blog on Blogger, Wordpress, Typepad, HubPages, etc.
  • Contact a content aggregator and offer to send a DVD.
  • Blog like crazy, then cut and paste your posts (about your film) to each of these free blogs.
  • Offer something interesting or different to people who want info about your film. For instance, offer a free download of a production still slideshow with director commentary, or a free download of one of your short films.
  • Capture the names and email addresses of everyone who visits your site.
  • On your blog, sell your film! Pitch it, sell it. Use your Amazon Associate account to link to your film. If someone purchases your film via your Amazon Associates link you get paid from Amazon.com twice. Once as producer of the film and once as an affiliate.
  • Spend some time responding to the blogs of other filmmakers and/or film review sites.
  • Once you’ve established yourself on these sites, offer to send a free DVD of your film “just in case they are interested.” Those who like your film will respond. Then ask them for a review, blurb or quote. One of my mentors, Tony Comstock, told me he regularly incorporates the giveaway of 50 DVD in his distribution budget — then he forgets about them. He doesn’t hound the recipients, he just shows them his work.
  • Use Google Alerts to scan the Internet for mentions about you or your film. This way you won’t miss any publicity mentions.

When you’re all done and the process is as close to autopilot as possible, go make your next film.


Bye-Bye, Mac

Friday, December 4th, 2009

Bye-Bye, Mac!

Nope I’m not turning to the other side, Windows 7, it’s just that the borrowed G5 that I’ve been using for the last five months needs to go back to the owner. Yeah, as if I needed another challenge or obstacle, I now have only a few days to get my stuff together. I have to complete the final NR and PG-13 versions of “Broken Hearts Club,” I have to finalize the BHC series (30-minute episodes with commercial breaks (black). And finally I have to  create a second set of 30-minute episodes with no commercial breaks. Oh, and I have to complete the DVD for the release of “Broken Hearts Club” through Amazon. I contacted a content aggregator (New Video) today about getting the film on iTunes. We’ll see how that goes.

The good news is that I’m almost done and should be able to sail through December without a hitch. The bad news is that I have to buy a new Mac Laptop. The good news is that the new MacBook Pro is smokin’ hot!

MacBookPro-Black

The bad news is that the MBP is $2000.

In the interim, I’ll be working steadily on Resurrection of Serious Rogers. I have many plans for this film/web series. Second round of casting is December 5th. I’ve got some really interesting performers coming in. I spoke with one young woman the other night and she mentioned how she planed to put on some extra muscle for the role.  Wow. Talk about dedication :-)

In the meantime I’ll be working off my HP POS laptop. Ugh! I’m tempted to just format the hard drive and start from scratch, but my wife has over 10GB of music on it in her iTunes folder. That reminds me, I have to find a Windows version of Final Draft 8. Damn.

Oh, my new file sharing friend is MediaShare. It’s pretty frickin’ awesomely fast in comparison to YouSendIt. And there’s a 200MB limit, not 100MB.

Haven’t been on Twitter as much lately. Facebook is quickly becoming my preferred social networking tool.  Twitter is quickly becoming, “…full of sound and fury, signifying nothing.” Besides, it’s easier to focus and not be bitter when I’m not on it. One good thing is that I did connected with someone in NY/NJ — an editor who will be working on RSR. Finally, a film I won’t have to edit myself. Hoozah! And there are many many people whom I’ve connected with who have been tremendous help to me. If I tried to list them all I’m almost certain I’d leave someone out. So I won’t.

In preparation for my first web series (wow, I remember when I made my 1st feature film) I purchased the book you see in the right column:

Think Outside the Box Office: The Ultimate Guide to Film Distribution and Marketing for the Digital Era

My suggestion to all filmmakers, pick up the book today! If you have any questions about distribution, self-distribution, VOD, or just want to learn a few ways to make money from the great film you’ve made, buy the book today. Consider it an early Holiday Gift to yourself.

And since you’re in the giving mood, give a $1 to help support the making of my film/web series Resurrection of Serious Rogers. I have a profile on IndieGogo for just such an occasion – http://www.indiegogo.com/Woman-on-Fire

Director’s Interview for BHC DVD

Sunday, November 15th, 2009

I need YOUR help. This week I’m shooting a director’s interview for the DVD of “Broken Hearts Club.” If you’ve been following along on this two year journey I’d love to hear from you.

What questions would you like me to answer on the DVD? The questions can be about anything: the film, me, the meaning of life, the script, the actors, independent filmmaking, etc.

You can post your questions right here on this blog. I will pick 20-30 questions to respond to on the DVD.

Thank you in advance.

MISSION X: Self Distribution

Sunday, November 15th, 2009

http://www.jokeandbiagio.com/distribute-your-movie-yourself

Above is an interview with my UK friend David Baker. David is a fantastic independent filmmaker whose Mission X film is an exciting action docudrama. David has a very distinct position on filmmakers empowering themselves with their films.  New distribution model? He says, “It’s right in front of your eyes!I agree.

Here’s my response…

I think another important aspect to David’s distribution process is the aforethought given to the budget. I see filmmakers and web series creators starting off their projects by choosing insanely high budgets. First time indie filmmakers, with no experience and no money are budgeting their film projects at $100k and above! And web series creators are budgeting their projects at $30,000!! Do you think that Felicia Day of the “The Guild” started off thinking that she’d scrape up $30k to make her web series? No. But I see countless filmmakers with big budget dreams, incorrectly believing that if they increase the budget the audience will come. Not so.

David completely and thoroughly thought out his debt-to-profit ratio before shooting one frame. It is much easier to recoup your investment on an $8000 film than a $80,000 film. How did he manage his budget? Easy — he didn’t have the luxury of a fat bank account, so he relied on his resourcefulness and creativity.

People have remarked that my film, “Broken Hearts Club” looks as though it was shot for twice or 3x what I made it for. And you know what I say? I say I wish I’d shot it for half of what it cost me. And I could have done that with a little more time in pre-production.

Indie filmmakers must think about their budgets from a realistic standpoint. If you’re a no-name filmmaker and you manage to make a film for $150,000 of course you’re going to want some studio to buy it — because you’re desperate! But if you’ve made it for $15,000 and you have DVD, disc-on-demand, VOD, downloads etc available to you you’ll give the studios the finger because you don’t need them or their one-sided distribution contracts.

MIPCOM

Friday, October 9th, 2009

The closing bell has sounded on MIPCOM today. Cannes is 9 hours ahead of us here on the West Coast. This means that news of how well (or unwell) Broken Hearts Club did is on its way. I got a preliminary glimpse of the status via a phone call with my sales rep at Goliath Promotions. She has an agent there, representing a slew of films and TV series. Quote:

MIPCOM is great!!!!!

That’s all I got. More later. Fingers crossed.

Newton’s First Law

Thursday, September 24th, 2009

An object in motion tends to stay in motion.

I’ve gained a lot of filmmaking momentum in the last four months since my film, Broken Hearts Club, screened at the Hollywood Black Film Festival in June. If I managed to keep up that momentum until the end of the year, 2010 will be HUGE.

In four short months my film has screened in Italy, Canada, the UK, Beverly Hills, and South Carolina. It has helped me secure a sales rep. It has leveraged international distribution in Western Europe. It will launch an international network at MIPCOM. It will be presented to HBO in Central Europe as a potential TV series and/or MOW. And it has garnered the attention of a distributor who wants a 10-year option for DVD rights.

The success of the film has given me the inspiration to start work on the “Black Lotus” script, which I am now 50 pages deep into.

An object in motion tends to stay in motion. If this keeps up, many of my dreams might actually come true in 2010.

Couple things

Wednesday, September 23rd, 2009

Couple things to catch you up to what’s happening:

The do or die situation that most filmmakers and writer’s inexorably become faced with is upon me. My film, “Broken Hearts Club” will be screening for the folks at Central Europe HBO at MIPCOM. While this isn’t the only opportunity the film is presented with at MIP it is by far the best. Who doesn’t want to work with HBO?

If selected there’s a licensing fee. Paid to yours truly. Then the film gets split into six 20-minute episode and airs as a short series. The seventh episode would be a 2-hour recap of the story as a MOW (essentially the entire film).

Or, HBO just might want to go the MOW route and simply screen the film. Either way works for me.

Next up is “Black Lotus.” I have been on cruise control with this script since I started five days ago. As of this blog post I am at page 20. The treatment was so thoroughly completed by Nicole Sessions (who has a new Target commercial airing on TV) that I am not at a loss of story. In fact, the main concern at this point is fitting it all in. A nice problem to have.

“Broken Hearts Club” DVD Content

Saturday, September 12th, 2009

I have to start outlining and prepping ’special features’ content for the inevitable release of “Broken Hearts Club” on DVD. With the holiday season rapidly approaching I have an opportunity to reach a tremendous amount of people within the last few months of the year.

I’m deciding about what to include on the DVD. I’m also deciding if I should include a two-disk DVD. Here are some other thoughts:

  • Since the film typically receives lots of comments about the casting so I think a featurette about how the film was cast might be a good thing to include. There’s quite a few stories to tell.
  • I’ve also been asked many times about the writing and dialog. I think this is tied to the performances and the casting.
  • A featurette about low-budget techniques employed in the film is most certainly required
  • Director’s Commentary??
  • Bloopers?? (I’m not sure if there are that many)
  • What do you think? Please add your comments below
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