1001 Positively True Stories of An Indie Filmmaker

Angelo Bell's Painfully Exhilarating Adventures in Independent Filmmaking

Posts Tagged ‘DIY’

DIY CineSaddle

Thursday, February 18th, 2010

I cam across this site link on Twitter. It’s a $50 DIY version of the $350 CineSaddle developed and designed by Mark Furches. It’s a perfect low-budget car mount tool for smooth moving car shots from various angles. Watch the video, then check the “how-to” instructions –

diy-cine-saddle
cine-saddle

DIY Cinesaddle Car Mount from Mark Furches on Vimeo.

Many people have asked me to make a tutorial on this cinesaddle replica; I’ve just been too lazy and too busy with school to respond. Here is how I did it. 

materials: 
fabric 
strap (24″ x 1.5″) 
zipper 
fanny pack 
thin rope (20ft long or more) 
metal wire (4′ long x 1/2 cm in diameter) 
rubber shrink wrap for the wire 
bean bag filler (microbeads the smaller the better) 

I trashed the orignal design drawings, so I can’t show you the actual cut outs. You need to prinout a picture of the cinesaddle and look it over. You’ll notice that it is made up of three pieces of fabric stitched together: two U-shaped cutouts and a long rectangular cut out. The dimensions of the original cinesaddle is 12” x 12″.That should be your goal. Cutting out the fabric properly is crucial to the project (if you do this, a qualified seamstress can do the rest). 

I have attached a sketch of the U-shaped pattern, so you’ll atleast get an idea of how you need to draw it and cut it out. After sketching the pattern, pin it to the sheet of fabric and cut the fabric out with a pair of scissors. When cutting out the fabric, cut out more than is necessary (don’t cut out the fabric right at the edge of the sketch) This extra fabric around the perimeter of the cutout will allow the seamstress to work with it better–she folds the fabric around the perimeter of the cut out inward to sew the pieces together. Cut out a rectangular sheet of fabric (14-16″ wide and long enough to go around the perimeter of the U-shaped cut outs). 

Next, cut the strap into four 6″ sections. These will go in the top four corners of the bag. Also, cut the straps off the fanny pack (depending on the fanny pack there may be enough strap to cut the four 6″ sections) and be sure to keep the buckle with some of the strap still conected to it. 

After you do that find a seamstress to do the rest. Take the picture of the cinesaddle and your sketches, the cutouts, fanny pack, straps, buckle, and zipper to the seamstress. Tell the seamstress to fold the 6″ straps over (making a loop) and sew them into the top four corners of the bag. Also, tell her to put a zipper on the bag (she put the zipper on the top of my bag). Instruct her to put the buckle on the top of both sides of the bag. Last, tell her to attach the fanny pack to either side of the bag. 

While the seamstress is doing the sewing, you can manipulate the wire in the meantime. Put the appropriate rubber shrinkwrap on the metal wire. Heat the shrink wrap with a blow dryer so that it will melt onto the wire. Cut the wire into 12″ sections. Bend the wire with a pair of plyers to create the four stirrups that will attach to various parts of your car (this takes some manpower…I’m kinda weak so it was hard for me to bend the wire). I’ll show you a picture of one of my stirrups so you can get an idea of how to bend it. 

Once the seamstress is done with the bag, fill it with the bean bag filler. Thats pretty much it. Now, you need to learn how to tie a bunch of knots. 

Knots you need to know how to tie: 
Half hitch 
Two half-hitches 
The bowline 
Truckers hitch 

There are a few videos of the guy tying the bag off to the car on the cinekinetic website. Review those videos until you can figure it out. Search on google to learn how to tie the different knots as well. 

Oh yeah, to achieve the window shots, you are going to want to create two rope loops (I have attached a picture of this to show you). 

I’ve uploaded 14 new pics to my flickr account for you to view along with the crappy sketch i just drew. I hope this helps out a little bit. 
flickr.com/photos/23550990@N05/sets/72157605965823493/

Mark

The Day Sucked, And Now It Doesn’t

Wednesday, June 24th, 2009

Today kinda sucked. I was awakened to bad news, which set my mood off into a grumpy destination. I felt like a timebomb ready to explode. Like the Guns of Navarrone, Superfly TNT — then the lovely Nicole Sessions stopped by to pay me a visit and pick up a copy of the film, “The Broken Hearts Club” for her reel. Her smile always warms me. The my wife called me from work and her voice soothed me. Then my daughter smiled at me and I nearly wept.

Then I got an email about a ground floor opportunity at a new African-American and Latino-themed network TV station launch; I pounded out six DVD to ship to HBO, Showtime Networks, Focus Features and a new producer’s rep…and then, I got contacted by yet another distribution entity.

The day doesn’t suck so much any more :-)

DIY Distribution Companies

Thursday, April 9th, 2009

 WEBSITES TO HELP SELL YOUR FILM ONLINE.

This week I highlight a group of companies dedicated to assisting filmmakers in DIY film distribution. The following sites offer a wide range of services to help filmmakers reach audiences and simplify the process of selling their films.

IndieFlix

…IndieFlix is dedicated to providing a forum for filmmakers and their audience to interact, and to building a community that translates artistic vision into commercial success. IndieFlix promises to build a fair and open market to empower filmmakers to be the engine of their achievement and audiences to be a vital part of a movie’s success. IndieFlix is committed to encourage public opinion and power of choice while reinvesting in the independence of film, the people that craft them, and the organizations that support them. We believe that every movie has an audience, every filmmaker has a story to tell and each story has the right to be shared.

— INDIEFLIX | VISIT SITE

 

IndiePix

…IndiePix was founded in 2004 to bring film fans the very best of independent cinema. Today, IndiePix is proud to be home to the broadest online selection of indie films from around the world, including the latest award-winning titles from the festival circuit, popular indie classics, foreign, documentaries and more. Buy a DVD online or use our patented Download-to-Own technology for a professional quality DVD, without the wait.

— INDIEPIX | VISIT SITE

 

CreateSpace

…CreateSpace provides inventory-free, physical distribution of books, CD and DVDs on Demand, as well as video downloads through Amazon Video On Demand™. We manufacture physical products when customers order so no pre-built inventory is needed. Through our service, you can sell DVDs, CDs, and books, for a fraction of the cost of traditional manufacturing, while maintaining more control over your materials.

— CREATESPACE | VISIT SITE

 

Withoutabox

…Experiment with the cutting edge of new world distribution. We are seeking filmmakers, distributors, and exhibitors who are eager to find new paths to profit through technology and innovation.

Rightsholders, you don’t need to get permission from the big studios anymore. Withoutabox is opening channels to support direct distribution via Theatrical, Broadcast, DVD, VOD, Mobile, and more. Do It Yourself!

— WITHOUTABOX | VISIT SITE

 

B-Side

…B-Side Entertainment is an independent film distributor founded on the idea that there’s another side to film distribution. Our goal is to connect films and audiences. It might seem obvious, but if you’re here, you already know that it’s easier said than done. Today, 98% of independent films are never seen beyond festivals. The “lucky” ones get some sort of distribution deal, but if anyone sees any money, it’s not the filmmaker. At B-Side, we’re dedicated to changing that.

That’s why we created bside.com — the largest single network of film festival audiences — and a new online marketplace. bside.com is designed to help filmmakers sell their films to people who already love independent film. It’s that simple.

— B-SIDE | VISIT SITE

 

Breakthrough Distribution

…Over the past two years, we have built a network of partnerships and developed services, tools, and strategic frameworks to help filmmakers, publishers, and musicians maximize their revenue, retain ownership and control of their content, and build their careers. We offer a range of non-traditional and traditional distribution services in the self-, retail-, and hybrid-distribution spaces that allow content creators to simply and easily leverage new business models, technologies, and marketing platforms on a global basis.

— BREAKTHROUGH DISTRIBUTION | VISIT SITE

 

E-Junkie

…E-junkie provides shopping cart and buy now buttons to let you sell downloads and tangible goods on your website, eBay, MySpace, Google Base, CraigsList and other websites using PayPal, Google Checkout, Authorize.Net, TrialPay, 2CheckOut and ClickBank.

For merchants selling downloads, we automate and secure the digital delivery of files and codes. If you are selling tangible goods, we automate the shipping calculation and inventory management. Our shopping cart has a built in sales tax, VAT, packaging and shipping cost calculator.

— E-JUNKIE | VISIT SITE

 

Echospin

…It’s important to have your music and videos up on iTunes, no question about it. But when your fans come to your website or MySpace page to buy your content, there’s no need to send them away. Not when you can deal with them directly, right then and there. With the Echospin Delivery Wizard, it’s more than an utterly hassle-free experience. It’s actually much cooler, easier and faster than iTunes.

— ECHOSPIN | VISIT SITE

 

NeoFlix

Neoflix is an integrated solution for e-commerce, order fulfillment, and customer service created for filmmakers and distributors with multi-channel sales strategies. Whether a DVD is sold to a consumer, wholesaler, library, institutions, or any other outlet, Neoflix can handle the order processing and fulfillment. DIY filmmakers and distributors can set-up a self-branded shopping cart system and begin selling products without incurring a large upfront investment or protracted vendor search. Neoflix handles credit card processing, e-commerce security issues, customer service, and fulfillment for both domestic and international orders. NeoFlix not only gives your customers the confidence that orders will be quickly processed, but also that problems should they arise, will be quickly and professionally resolved. Neoflix also processes retail and purchase contract orders so clients can pursue simultaneously B2B and B2C sales strategies.

— NEOFLIX | VISIT SITE

 

Cruxy

…Cruxy provides powerful marketing, monetization and performance tools for digital creators, whether filmmakers, musicians or artists of any kind. Cruxy’s tools give artists the power to share their work on Cruxy or across the web using the Cruxy Social Player. Cruxy also gives creators the ability to sell their work as digital downloads. The artist chooses the retail price and the file format. Cruxy registers the work with search engines, generates thumbnails and previews and handles all aspects of the financial transaction. Cruxy also provides a robust set of analytical tools so that creators can track and improve their progress.

— CRUXY | VISIT SITE

Distribution is like Da Vinci’s Code

Wednesday, February 11th, 2009

Distribution is like deciphering Da Vinci’s Code. Well, at least that’s what the studios and the distribution companies would like you to believe. They want independent filmmakers to look at distribution as an overwhelming labyrinth of mystical conundrums, which we cannot possible navigate ourselves. 

It’s so not true. Distribution, like any other business outside of the entertainment industry, is about finding customers and fulfilling their needs. I’ve been doing a lot of digging to unearth these distribution myths. It’s like an archeological thing, you dig up lots of useless dirt until you uncover a gem. The more I dig, the more gems I find.

The current studio system and the model for independent film distribution is broken. It doesn’t work. Like many things run by the old boys club, film distribution has fallen behind the times. The lies we hear now are designed to keep us –independent filmmakers with content– living in the dark ages. There are simply too many filmmakers out their with good films that miraculously were accepted by a film festival, but yet do not have distribution. Worse, there are films that have achieved the Holy Grail that is distribution, but haven’t seen a dime of the box office thanks to funny accounting by distributors and studios.

So how does a young filmmaker navigate this distribution labyrinth, look beyond the lies and distribute his/her film? The path starts the same way a multi-conglomerate distributor would begin its efforts. Find out who your audience is.  There are informed ways of doing this and misguided ways of doing this. For example: a young filmmaker might decide to put up a website and list their film for sale. Good move. Then he/she may consider learning search engine optimization techniques funnel Internet traffic to his site. Good move. But then she makes her big mistake. When choosing keywords she uses words like, “independent filmmaker,” or “indie filmmaking” or “film festival.” Bad move. Those keywords won’t drive a DVD-buying audience to your site. Instead these keywords will encourage random traffic from…other filmmakers.  This happens because the filmmaker hasn’t identified their audience.

The step out of the chaos of keyword, indie filmmakers should consider categorizing or demographizing their audience. Age Range. Sex. Income level. Work habits. Play habits. When we understand these things about our audience we know where they work and where they play. If we’re using SEO techniques we can customize our search phrases — not mere keywords — to find these people.

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