1001 Positively True Stories of An Indie Filmmaker

Angelo Bell's Painfully Exhilarating Adventures in Independent Filmmaking

Posts Tagged ‘marketing’

Marketing and the Indie Filmmaker

Monday, December 28th, 2009

YOU MUST FIND A DIFFERENT WAY TO REACH YOUR AUDIENCE.

Today I spent several hours doing marketing. You know, that fun stuff where you try to find a nice mix of self-promotion and information so that recipients don’t immediately tune out.

As an indie filmmaker, the team of ME, it’s important to manage these tasks as if one were in production, on set, directing. It’s tough, and tedious — it can even be boring if one repeats the same mundane tasks over and over again.  But when a filmmaker is in the process of assembling a team he/she do everything he possible can on his/her own. This is particularly true when money (i.e. the budget) is almost nonexistent.

Most people don’t know this about me but I come from a long and deep history working for public relations companies. Porter Novelli. Ketchum. Dennis Davidson. Fischer & Partners. I know the value of PR. This history is joined with my experience with the Internet and social media (mixed with a dash of SEO). I’ve always written my own press releases. I’ve always sought after new and inventive ways to promote the work I’ve completed.

However, nowadays promotion begins when the script is done and one starts seriously considering actually making the movie. Where in an era where studios have turned their backs on independent filmmakers, forcing them to go out on their own. Most filmmakers are still stuck in the mindset of the 1990’s. Everywhere you turn you hear or read the words theatrical distribution. Factoid: most films loose money during theatrical distribution, so it’s used primarily as a marketing tool.

With this in mind smart filmmakers find alternatives to the money-suck of theatrical distribution. While this seams daunting at first, the truth is that audiences can be amassed using various free tools on the Internet. Just imagine, you can make someone in India, Japan, Dubai or Australia aware of your film with a simple email. You can’t do that with a local screening in Santa Monica, CA.

So I’m constantly testing new ways to promote first myself and then my current projects. This blog reaches people in India and Japan. I’m on Twitter, Facebook, Orkut, Bebo, YouTube and Myspace. I’m also on Blogger, Wordpress and Live Journal. Occasionally I write an article for Associated Content or HubPages. I also leave comments on the useful blogs I visit. This one technique resulted in Filmmaker Magazine quoting me and then doing a write-up on my film Broken Hearts Club and the list building I was doing for it. This hard work translates to mentions. Mentions translates to a higher ranking on search engine results. Then I use Google Alerts to scour the internet for additional mentions of my projects.

Luckily, for once, I have editors in place so I can jump back into promotion after the film is in the can. It’s a lot of work, but until you have a team in place, as an indie filmmaker your job is promotion. Don’t get caught sleeping on the job

More Pulp…and elongated perspective of “Pulp Fusion”

Tuesday, March 3rd, 2009

PULP FUSION:
The Raw Shorts Collection by Angelo Bell


NEW DVD RELEASE


Don’t miss the surprise trailer at the very end of this auction ad :)


This is a Brand New, self-made DVD collection by independent filmmaker Angelo Bell. I self-distribute my films using my MacBookPro. I have 13 film credits, two “best in fest” awards and I made history at the Los Angeles ShortsFest in 2007 when FOUR of my shorts were accepted into the festival. My credits are at http://www.imdb.com/name/nm1479226/

This DVD short film collection comprises the first of several “Pulp Fusion Series” DVDs that I’ll be releasing as part of my Independent self-distribution model. My films are now available to a global audience. The second film in the series, “Pulp Fusion: The Resurrection of Serious Rogers,” is actually a 2-hour feature film and contains several clips and sequences from “Pulp Fusion: The Raw Shorts.” The next DVD will include director interviews explaining how I rewrote the narrative for a previous film to include clips from several of my other films. It was an amazing process. But more on that later. Let’s talk about RAW.


On the DVD you get FIVE short films and a director video totalling over an hour of entertainment. The short films cover the gamut of genres and often contain multiple genres. There’s art house, action, drama, noir, girls-with-guns, satire and comedy. The films discuss drug abuse, heroin addiction, human trafficking, murder, love, sisterhood, friendship, sacrifice and of course, murder in the first degree. It’s great entertainment. And you’ll want to want each short film over and over again. If I do say so myself, the writing is exemplary and has gotten many kudos.

As I mentioned, you get FIVE films. Get Spielberg, Renounced, Valerie & Sid, The First Time and I know Who Shot You. Here are the trailers for the films


View the trailer for GET SPIELBERG here: http://www.319prods.com/films/getspielberg/



My Blog: http://www.angelobell.com/pulp-fusion



My Official Amazon DVD ships March 30th for $24.95. But you can get it here on eBay at a $10 discount. I manage my own DVD replication but my DVD’s are guaranteed to work. If the DVD doesn’t work on your DVD player or laptop for any reason, you’ll get a new one. Period. Just ship it back. My DVD discs do come with an affixed label.I ship within 48 hours of receiving payment. DVD arrives in a cardboard mailer in a DVD sleeve. No case.

I’ll also enclose a coupon for $5 off the second film in the Pulp Fusion Series, “The Resurrection of Serious Rogers” which will be available in early April right here!


How far will your DVD distribution go?

Monday, October 6th, 2008

I’ve been contemplating just how far I will go in submitting Broken Hearts Club to film festivals before I turn my attention to a DVD distribution release. So many people seem run at top speed towards a DVD distribution without a proper marketing strategy and I don’t want to duplicate that.

The Internet levels the playing field somewhat when self-distributors or VOD distributors try to get their films into the public’s hand. However, from what I’ve seen, there is a tendency to simply rely on a one-tooth approach: Myspace. I’ve seen hundreds of Myspace bulletins about DVD distribution, but unless your profile’s friend count is numbering in the hundreds of thousands, it’s only reaching a tiny fraction of a fraction of the people hungry to buy or rent your DVD.

So how do you reach the buyers? How hard will you work to close the deal? Myspace actually offers a three-pronged approach to this endeavor. Naturally we think of using the bulletin/blog route, right? But bulletins and blogs can only be effective when the people who read them number in the tens of thousands. So here’s my idea for a three-pronged approach using only Myspace:

1: BULLETIN/BLOG – Have a regular bulletin message that goes out twice weekly. The bulletin should point reader back to your blog for additional information. The blog will be the core of your marketing strategy, with every blog containing links to your trailer, primary website (if other then MySpace) and links to other video or clips or news information. These links should be in a boilerplate type message at the bottom of every blog. Bulletins should also be placed on relevant MySpace groups of which you are a member.

2. ADD FRIENDS – Add friends to your profile DAILY. You should be submitting at least 100 friend requests a day. Preferably you are reaching Myspace’s maximum of 400 requests a day. But your ADDS shouldn’t be haphazard or random. Find profiles of films that are similar to yours and add their friends. This makes your outreach more targeted. Successful marketing strategies tend to involve a niche: in the film world that means a genre. Coming of Age, Romance, Comedy, Horror, Thriller, Sci-Fi, Drama, etc.

3. BE INTERACTIVE – When you add friends, leave personal comments on their page. When you receive a comment, leave a comment. In every correspondence close by asking your new Myspace friends to visit your profile. Drive them to your videos, your blogs. Ask them to suggest your site to a friend. Offer your friends something special that non-friends cannot see, such as private photos from the film or a video clip. Then obtain email addresses and be as careful with these email addresses as you are with your own. Don’t spam, but use the email address to notify people about your film’s upcoming release date.

I believe this strategy is more detailed than simply sending out bulletins and adding friends. For DVD releases we become the greatest advocates of our films, and so our voices must be the loudest and the most far-reaching.

Good luck

You, Me and Everyone We Know

Saturday, July 5th, 2008

Hmmm, where have I heard that title before :)

Well, it apropos here because of recent changes in the hierarchy of 319 Productions (my prodco) it’s just little old me helming and running things. It’s probably for the best.

Anywho, I am started my viral video marketing campaign using the *new and improved* video trailer for Broken Hearts Club. the new trailer is posted on the official website and also on YouTube and MySpaceTV. here are the links:

YouTube:
http://www.youtube.com/watch?v =jGSPt6RlHA4

MySpaceTV:
http://myspacetv.com/index.cfm ?fuseaction=vids.individual &videoid=37560507
This new and improved video is a result of conversations with a PR guy and ‘free’ advice. [you gotta love FREE] Another new change is that I am no longer calling the film a romantic dramady. I’m am sticking to the well-known verbiage of ‘romantic comedy.’

Lastly, I believe I misinterpreted the information about the Toronto International Film Festival. Individual Film Tickets go on sale on August 18. Film Ticket Packages (Filmmaker Pass, Festival Pass, etc ) go on sale July 7th. Thus I have at least until the end of the month before I hear anything about Toronto. That’s a relief!

I have made significant changes to the film. Very significant considering my mandate to make what I have work as a feature film without reshoots or pickups. I dropped a couple of scenes altogether and recut the hell out of another scene that referenced a prior scene that I never got a chance to shoot. If it doesn’t work out I’ll just cut it all together.

Oh, and I’m beta testing this online screen writing software. Basically the software allows a writer to write  a script in proper form without spending $300 on Final Draft or any of the other screenwriting software out there. I’m an truly putting it through it’s paces because I am rewriting my script, The Many Incarnations of Bobby Winston using the web-based application.

I can’t shake this feeling…

Monday, June 23rd, 2008

I can’t shake this feeling that I’m on the cusp of something big. Something extraordinary. A life-changing event. I just can’t shake it.

It’s more than just a feeling of confidence — in fact, it’s not confidence at all because I don’t feel completely in control of this “thing.” It’s like an eerie promonition. But not necessarily “my” promonition.

A screenwriting friend of mine keeps telling me he needs to tell me about a dream he had of me. We don’t see each other often so he’s never got the chance. All he says is he sees “lots of people, red carpet, and everyone is trying to get your attention.”

I went out for drinks with some old chums a few weeks back and a friend told me that she has the gift of vision and she sees many big and unexpected great things in my future.

I’ve heard the phrase, “there’s something about you, man.” so many times I flinch when i hear it now. Trust me, this ain’t ”my thing.” I don’t do anything except be myself. But lately I’m starting to feel like there is something just around the corner. And so I feel like I gotta keep doing stuff. I feel like I can’t slow down or slack off. I feel as though I should be kicking it up a notch, turning on the after-burners.

But this feeling is making it hard to handle other things. I don’t want to work in any capacity except working for me, my film and for my friends, actors and crew  who’s supported me. Working for someone else, i.e. a nine-to-five is the last thing on my mind…IF that. Every night I’m on the internet, checking email, doing something…looking for a sign.

Something.

Today I mailed off 34 postcards. Many of the postcards were for literary agents. I also just packaged my film, Love is for Democrats for the NBC Comedy Short Cuts Festival. And, as luck would have it, I had enough money on my credit card to pay the submission fee Broken Hearts Club (the short) to Indie Fest USA. That’s not too shabby, right? but you know what’s killing me? I have one stamp left because I had to buy 35 and it’s freaking me out that I don’t have a name of someone to send a postcard to TODAY. Not tomorrow…TODAY!

Is that sick? Am I delusional or just over anxious?  Whatever it is, it needs to either make something happen or go the heck away.

Okay, I’m about to find a name for this postcard now…

The post office is loving me right now

Thursday, June 12th, 2008

I’ve got full price stamps that are no longer the current price. They are one to two cents less than the current price of a stamp — so I’m using them for my post cards.

I’m about to walk to the mailbox right now and drop another 22 post cards off. This time I focused on using IMDB Pro. I gathered some names of talent agents and managers from Endeavor, Paradigm and The Firm, wrote the addresses out by hand and affixed the over-priced stamp. Hopefully my ROI will more than pay for the pennies I’m losing each time I mail out a post card :)

 

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