1001 Positively True Stories of An Indie Filmmaker

Angelo Bell's Painfully Exhilarating Adventures in Independent Filmmaking

Posts Tagged ‘Music’

Making “Serious Rogers” with The Watermarks (Examiner.com)

Friday, January 29th, 2010

The Watermarks’ music and T-shirts to be featured in Angelo Bell’s new film (Examiner.com)

The Watermarks have steadily built an international audience due to their unique sound and their willingness to explore the potential of social networking in all of its forms. While the Houston-based band maintains a strong internet presence on all relevant sites, it was on Twitter that they formed their most recent partnership with independent filmmaker Angelo Bell, director of the critically acclaimed romantic comedy, “Broken Hearts Club.”

Read the entire article here…
http://www.examiner.com/examiner/x-5745-Houston-Music-Examiner~y2010m1d28-The-Watermarks-music-and-tshirts-to-be-featured-in-Angelo-Bells-new-film

Stand By Me

Thursday, October 15th, 2009

I snagged this video because it touched me. It’s a refreshing change to the status quo. It offers inspiration and sensitivity instead of the typical meanness we often see on the Internet. There’s so much hatred, insensitivity, and intolerance on the Internet that I’m always on the lookout for something that inspires me. This video did the trick. It points a finger back at me and says, “Yeah, you can do better, you can do more.”

Around the world there are vastly different people who will stand by each other to induce change. That’s awesome. (okay, I’m jumping off my soapbox now)

Stand By Me

Big Hair, Funny Clothes and Visceral Music. There’s Nothing Like the 80s

Wednesday, March 18th, 2009

Big Hair, Funny Clothes and Visceral Music. There’s Nothing Like the 80s

The quintessential 80’s band, Orchestral Manoeuvres in the Dark (OMD), the head jarring hip-hopping sounds of Public Enemy, the yearning sounds of Simple Minds, and of course, Michael Jackson’s record-setting Thriller album. The era of music in the 80’s is often relegated to bad jokes and cliches. Too many people forget that the same type of energy the ignited the sixties and seventies, also ignited the 80’s. The energy just had more rhythm. 

Who stands out in your mind? There’s A-ha, Aerosmith, Adam Ant, Atlantic Starr, B-52’s, Bananarama, Bangels, David Bowie, Christopher Cross, Phil Collins, Clash, Commodores, Culture Club, Def Leppard, Duran Duran, Depeche Mode, Eagles Sheena Easton, Eurythmics, Frankie Goes to Hollywood, Grateful Dead, Guns & Roses, Hall & Oates, Heart, Journey, the Jacksons, Kinks, Kool & The Gang, Cyndi Lauper, John Lennon, Olivia Newton-John, Sinead O’Connor, Oingo Boingo, Robert Palmer, Alan Parsons Project, Tom Petty & The Heartbeakers, Police, Queen, Quiet Riot, Eddie Rabbit, R.E.M., REO Speedwagon, Rolling Stones, Lionel Ritchie, Rick Springfield, Bruce Springsteen, Sade, Rod Stewart, Styx, Survivor, Talking Heads, Toto, Tina Turner, Tears for Fears, UB40, U2, Wang Chung, Wham! and Whitesnake and Weird Al Yankovic. And oh so many more. 

Rather than try to list the stand-out band of the 80’s it’s often better to discuss how one feels when listening to 80’s music. There is a sense of romance, discovery, rebellion and freedom. The proper eighties music can make one feel like Ferris Bueller, doing his one thing, his own way. Technically speaking, I reached adolescence during the 70’s. However, I didn’t really find my voice in music until the 80’s. It was during this decade that I came into my own. The music had alluring power.

80’s music isn’t just the music that stands out because we recall the film we watched as the tune played. It’s more than the soundtrack to Do the Right ThingPretty in Pink or The Breakfast Club. It’s a decade of experiences and changing politics, conveyed within the essence of rhythms, beats and screaming electric guitars. It is a voice standing out from the antiestablishment music of the 70’s that screamed, “Let’s just rock out and have fun!

We sing. We dance. We steal things.

Wednesday, January 14th, 2009

I want to take a moment to introduce you to Jason Mraz if you’re not already acquainted with him. His music is softer and soothing, and a wonderfully refreshing departure from the musical SOP in much of today’s music. I’m particularly fond of the song, “I’m Yours.” It reminds me of Israel Kamakawiwoole and his Facing Future CD, which is definitely worth the price–particularly if you’ve ever been to Hawaii.

I can easily hear Jason Mraz playing softly in the background in a studio film, most likely a romantic comedy, adding a smooth ambiance to a loving scene. It’s a near-perfect complement to the emotional context of romance and fidelity.

Work, work, work

Thursday, January 8th, 2009

Today I started to take notes and write down narration drafts for my film, “The Broken Hearts Club.” I’ve also decided to make some changes to a few of the music cues, most notably the cue used for the BBQ scene. As such, I am now on the hunt for licensable R&B or smooth jazz-y sounding music for this scene. This will be a non-exclusive license. 

In the  long gone past I’ve gotten some “canned” music from Music Bakery. It’s not bad. It’s orchestral and you can pick your flavor from among thousands of songs and cues. Now I mostly get my music from Rob Gokee – Film Composer At Large

Speaking of music scores, my all time favorite music scores are: Gladiator and Pirates of the Caribbean: At World’s End — both by Hans Zimmer.

In other to do list news, I’ve finished reading Eclipse and have started Breaking Dawn.

Slumdog Millionaire

Tuesday, January 6th, 2009

I watched Slumdog Millionaire last night; it was far too late in the evening when I began, but I enjoyed it. There’s quite a bit of hoopla out in the world about this film, including glorious reviews and several Golden Globe™ nominations. Incidentally, I bought the soundtrack online a few days before because I was intrigued by its eccentricity.  The soundtrack features eclectic musical compositions by A.R. Rahman & M.I.A. as well as many others, including the exceptionally cool song, Paper Airplanes.

I try not to go into details about the movies I review and I’ll follow the same process here, but let me give you an overall overview of the film: a boy from Mumbai is winning at Who Wants to Be A Millionaire (India edition) and has been accused of cheating. Instead of merely being arrested he’s tortured and forced to explain how he came to know the answers to the questions. Therein lies the story of him growing up in the slums of Mumbai, falling in love, losing the love of his life and being granted on last opportunity for destiny. 

The central love story is effectively woven through a reality-check glimpse of the harsh ghetto life of a slumdog. There is Muslim-bashing, child stealing and other grotesqueries that have us flinching.  The lead actor, Dev Patel is convincing as the puppy-dog-eyed slumdog, but I found some of his character’s bravado inconsistent. 

I enjoyed the film very much. It was captivating like City of God–edited by an MTV– although I wouldn’t put my money on it to take home Best Picture. There are too many films with greater storytelling, better acting and more enriching plots.

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