1001 Positively True Stories of An Indie Filmmaker

Angelo Bell's Painfully Exhilarating Adventures in Independent Filmmaking

Posts Tagged ‘promotion’

Marketing and the Indie Filmmaker

Monday, December 28th, 2009

YOU MUST FIND A DIFFERENT WAY TO REACH YOUR AUDIENCE.

Today I spent several hours doing marketing. You know, that fun stuff where you try to find a nice mix of self-promotion and information so that recipients don’t immediately tune out.

As an indie filmmaker, the team of ME, it’s important to manage these tasks as if one were in production, on set, directing. It’s tough, and tedious — it can even be boring if one repeats the same mundane tasks over and over again.  But when a filmmaker is in the process of assembling a team he/she do everything he possible can on his/her own. This is particularly true when money (i.e. the budget) is almost nonexistent.

Most people don’t know this about me but I come from a long and deep history working for public relations companies. Porter Novelli. Ketchum. Dennis Davidson. Fischer & Partners. I know the value of PR. This history is joined with my experience with the Internet and social media (mixed with a dash of SEO). I’ve always written my own press releases. I’ve always sought after new and inventive ways to promote the work I’ve completed.

However, nowadays promotion begins when the script is done and one starts seriously considering actually making the movie. Where in an era where studios have turned their backs on independent filmmakers, forcing them to go out on their own. Most filmmakers are still stuck in the mindset of the 1990’s. Everywhere you turn you hear or read the words theatrical distribution. Factoid: most films loose money during theatrical distribution, so it’s used primarily as a marketing tool.

With this in mind smart filmmakers find alternatives to the money-suck of theatrical distribution. While this seams daunting at first, the truth is that audiences can be amassed using various free tools on the Internet. Just imagine, you can make someone in India, Japan, Dubai or Australia aware of your film with a simple email. You can’t do that with a local screening in Santa Monica, CA.

So I’m constantly testing new ways to promote first myself and then my current projects. This blog reaches people in India and Japan. I’m on Twitter, Facebook, Orkut, Bebo, YouTube and Myspace. I’m also on Blogger, Wordpress and Live Journal. Occasionally I write an article for Associated Content or HubPages. I also leave comments on the useful blogs I visit. This one technique resulted in Filmmaker Magazine quoting me and then doing a write-up on my film Broken Hearts Club and the list building I was doing for it. This hard work translates to mentions. Mentions translates to a higher ranking on search engine results. Then I use Google Alerts to scour the internet for additional mentions of my projects.

Luckily, for once, I have editors in place so I can jump back into promotion after the film is in the can. It’s a lot of work, but until you have a team in place, as an indie filmmaker your job is promotion. Don’t get caught sleeping on the job

List Building

Sunday, May 17th, 2009

Building an opt-in email list is better and more important than any social media tool, network or  device on the planet.  This includes Myspace, Facebook, and the  growing Twitter. The reason why is simple yet I see many people clinging to the bells & whistles of social media based on the media attention heaped on these social networking platforms. Alas, I do not chastise these folks because I am one of them.

I have always known the importance of an opt-in email list and many of my sites have implemented a tool to collect email list. Opt-in email list are important because they involve a choice. A choice that some random person on the Internet makes to give you their contact information in exchange for relevant, regular and timely information. Basically it is about interest. I have collected email addresses but I have relied on social media tools to “get out my message.” Wrong action. Social media should be the second phase of my publicity plan, not the primary phase. 

 

Opt-In Email Addresses

Opt-In Email Addresses

Why do I say this? Well, because I noticed yesterday that with 2000 “followers” on Twitter I was barely able to illicit 5 comments on my B-side film page for the Hollywood Black Film Festival. This includes 20 DM I sent to folks on Twitter. However, with my friends & family email addresses I was able to illicit more profound responses. 

 

I still haven’t touched my email address from folks who have opted in. Hmmm… The results are pretty obvious, dontcha think? But I am going to test my theory again.  Next week I will market directly to my opt-in email lists and see what effect it has all around.  It’ll be very interesting.

Twitter, Myspace and Facebook are good tools for marketing and connecting. But nothing beats connecting with someone who has come to you and said, “here’s my email address. Send me information please!” Ahhh, I love the sound of that.

Into The Wild

Tuesday, August 5th, 2008

Hollywood is a palm-tree lined jungle much like New York City is a concrete jungle. It’s wild. It’s unpredictable. But within the bush of mayhem and backstabbing awaits untouched opportunities.

I’ve never been a fan of direct to DVD distribution. To me it the distributor’s cowardly way out; it’s the cheap road to profits without regard to the filmmaker’s desires. Not so with The Wall. With this upcoming film I am more than happy with a direct to DVD distribution. My research has told me that DVD releases, if properly marketed, can yield enormous results and word of mouth. Even mediocre genre films gan ‘blowuptuate’.

The key is in the marketing, promotion and advertising of the film. But that is where genre films rule, especially when promoted on the Internet. In just a few minutes of Internet research I came across a slew of horror film websites. The Internet is sick with horror films sites, thus making it fairly easy to promote quickly and inexpensively. And there are just as many “general interest” film websites, each looking for  content on the latest and greatest films — studio, indie or otherwise — to promote to their eager fans.

If we take a step back and look at the bigger picture, these websites can also be used to promote our low-budget indie films which we hope will be picked up or sold at a film festival. Word of mouth is the most powerful form of advertising. Why? Because it comes with a built-in recommendation from a reliable source — someone you know. So the more people who know about your film, the more peple who’ll talk about it.

Hollywood: it’s a jungle out there; we might as well get used to swinging from vines just like everyone else.

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